Global EditionASIA 中文雙語Fran?ais
    Opinion
    Home / Opinion / Barry He

    Millennials changing how we see things

    By Barry He | China Daily Global | Updated: 2019-05-10 00:22
    Share
    Share - WeChat

    The way we view digital media is constantly changing. A decade ago, cathode ray television sets were still commonplace around the world, having faithfully displayed broadcasts in a square box for years. Then along came widescreen TVs, with the promise of a sleek horizontal cinematic 16:9 aspect ratio that claimed to effectively mimic the scope of the human eye. By the turn of the last decade, it was a common sight to see such displays springing up in middle-class homes across the developed world.

    Nowadays, the way in which most people view digital video content has literally been turned on its head. Social media apps such as Instagram and TikTok offer the 16:9 ratio turned vertically, catering for the view taken by the smartphone generation. Photos cropped to the more square 4:5 ratio are also common, but the design of current smartphones mean that vertical 16:9 is king.

    With companies such as TikTok already reportedly boasting 40 million teen users in the United States, advertisers and social media influencers alike are adapting their content to be viewed in this manner. News outlets such as The Economist and the BBC now even offer 16:9 ratios for journalistic pieces and interviews running several minutes long, a far cry from when 16:9 was associated with amateur smartphone photography and disposable spam adverts.

    Traditionalists lament this current trend. Arguably, orthodox television and film in widescreen horizontal aspect ratios does mimic the cinemascopic nature of our eyes. Despite the fact that our eyes are not strictly rectangle horizontal 16:9 in view, they still hold similarities and despite individual variation, most people see the world in 5:3.

    Samsung have released a TV that caters for this new viewing trend. The Samsung Sero is a 43-inch TV designed with millennials in mind, and can be switched so that it is set up vertically. The aim is to encourage mobile users to cast content onto the larger screen and provide an accurate scaled-up representation of what is seen on our pocket screens.

    Progressives say this aspect ratio is better suited to video logging or "vlogging", as it sets up a person in portrait mode, where focus is given to the face, head and shoulders. This tall and thin setup is seen by some young people to be slightly more natural than traditional horizontal widescreen setups. Tapping into our smartphone addictions, this new form of TV could be the future of how we view digital media, which now, inevitably, comes more and more in mobile form.

    This inevitability may come sooner than we like to think. Flipping how we see the world by 90 degrees may seem like a big ask on the big screen, but as mobile phone users, we watch content vertically and use our smartphones in this fashion 94 percent of the time.

    Vertical videos drive much higher engagement on social media, and thus are also championed by digital advertisers. Snapchat estimates that vertical videos on its platform receive engagement rates that are as much as nine times higher than traditional formats.

    All of this may come as a surprise to someone who has grown up with traditional horizontal widescreen televisions. However, it is worth bearing in mind that not too long ago when smartphones were released, people had no idea how to use them or which way to hold them.

    Tutorials explaining how to operate the camera and touch screen existed for hapless users who had not had the privilege of growing up in a smartphone generation. What we consider normal is constantly changing, and with this current significant generation of social media-raised millennials, changes much more significant than vertical televisions are afoot.

    Most Viewed in 24 Hours
    Top
    BACK TO THE TOP
    English
    Copyright 1995 - . All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co (CDIC). Without written authorization from CDIC, such content shall not be republished or used in any form. Note: Browsers with 1024*768 or higher resolution are suggested for this site.
    License for publishing multimedia online 0108263

    Registration Number: 130349
    FOLLOW US
    最近最新免费中文字幕高清| 久久亚洲精品无码AV红樱桃 | 佐藤遥希在线播放一二区| 曰批全过程免费视频在线观看无码 | 亚洲高清有码中文字| 无码人妻精品一区二区三区久久| 欧美日韩中文在线| 无码AV大香线蕉| 国产精品亚韩精品无码a在线| 免费无码又爽又刺激一高潮| 日本中文字幕在线2020| 无码精品蜜桃一区二区三区WW| 蜜桃臀无码内射一区二区三区| 特级做A爰片毛片免费看无码| 无码AV中文字幕久久专区| 18禁黄无码高潮喷水乱伦| 日韩精品无码免费一区二区三区 | 日韩精品无码一区二区三区免费| 人妻AV中出无码内射| 中文字幕一区在线观看视频| 人妻少妇久久中文字幕一区二区| 无码人妻精品一区二区蜜桃AV| 久久精品无码专区免费东京热| 无码专区天天躁天天躁在线| 中文无码制服丝袜人妻av| 一本加勒比HEZYO无码人妻| 日韩av无码中文无码电影| 日本中文字幕在线视频一区| 亚洲欧洲中文日韩av乱码| 日韩区欧美区中文字幕| 亚洲欧美在线一区中文字幕| 中文字幕日韩三级片| 精品人妻系列无码一区二区三区| 中文字幕乱偷无码AV先锋| 亚洲日韩精品无码专区网址 | 亚洲AV无码欧洲AV无码网站| 中文精品无码中文字幕无码专区| 亚洲日韩精品一区二区三区无码| 亚洲AV日韩AV高潮无码专区| 国产拍拍拍无码视频免费| 在线看无码的免费网站|