Global EditionASIA 中文雙語Fran?ais
    Culture
    Home / Culture / Art

    Paintings to scale a treasured traditional art form

    By Cheng Yuezhu | China Daily | Updated: 2020-08-18 07:16
    Share
    Share - WeChat
    A sailfish print created by Yu Qinyuan. The art form usually features calligraphy, stamps and seals. [Photo provided to China Daily]

    Anglers are likely to recount "big fish" stories about herculean battles with silver-scaled kraken. These usually end with the declaration, "It was definitely at least this big!", as they exaggeratedly gesticulate with their hands to indicate the vastly overstated length of their former aquatic nemesis.

    It was probably much easier to persuade people that these tales were true before the age of camera-laden smartphones.

    However, even before the invention of photography itself, avid anglers around the world came up with inventive ways to prove the legitimacy of, and record, the outstanding fish they managed to land. While those in the West opted for things like fish taxidermy, in China a different method was used to, literally, mark an impressive catch-one that has since evolved into a traditional art form.

    The method is called yuta, or fish printing. People apply paint to the fish and press it on paper to record its exact shape and size, and such details as the texture of its scales, fins and tail.

    Yu Qinyuan, a native of Gaomi, a county-level city of Weifang, Shandong province, has been a leading figure in inheriting, practicing and promoting the art form.

    The 56-year-old was first exposed to the practice as a child.

    "I grew up with my grandparents, a scholarly family, who knew the basic fish-printing techniques. When they caught a big fish, they'd print it and frame it as a memento," he recalls.

    Yu has been practicing fish printing full time for 10 years. During that time, he has learned from masters from around the country and developed his own systematic approach to the art form.

    The uniqueness of fish printing, Yu says, lies in that it is able to precisely capture the details of the fish species. "Each fish scale has its distinctive texture, like a person's fingerprint. The texture cannot be drawn by even the most perceptive painter but is clearly visible when rubbed onto the paper."

    He says that a fundamental rule of fish printing is to not use a pen or brush to add any details to the fish. The only exception to the rule is the eyes, which require a great painting technique and often take longer than the printing process.

    1 2 3 4 5 6 Next   >>|
    Most Popular
    Top
    BACK TO THE TOP
    English
    Copyright 1995 - . All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co (CDIC). Without written authorization from CDIC, such content shall not be republished or used in any form. Note: Browsers with 1024*768 or higher resolution are suggested for this site.
    License for publishing multimedia online 0108263

    Registration Number: 130349
    FOLLOW US
    国产在线精品一区二区中文| 欧洲人妻丰满av无码久久不卡 | 永久免费av无码入口国语片| 小泽玛丽无码视频一区| 中文字幕无码免费久久| 亚洲日韩乱码中文无码蜜桃臀网站| 无码成A毛片免费| 在线看片福利无码网址| 中文字幕精品亚洲无线码一区| 免费看又黄又无码的网站| 人妻无码人妻有码中文字幕| 亚洲乱码中文字幕久久孕妇黑人| 精品无码人妻一区二区三区| 亚洲午夜无码久久久久| 欧美中文字幕无线码视频| 亚洲人成国产精品无码| 国产v亚洲v天堂无码网站| 亚洲AV区无码字幕中文色| 亚洲中文字幕丝袜制服一区| 一本久中文视频播放| 亚洲日韩乱码中文无码蜜桃臀网站 | 无码人妻精品中文字幕| 精品亚洲AV无码一区二区| 最近免费中文字幕mv在线电影| 亚洲AV永久无码精品一区二区 | 久久亚洲中文字幕精品一区| 中文字幕亚洲情99在线| 无码色AV一二区在线播放| 久久久久久无码国产精品中文字幕 | 国产成人无码精品一区在线观看| 亚洲av永久无码精品国产精品| 亚洲精品无码AV中文字幕电影网站| 亚洲开心婷婷中文字幕| 精品久久久久中文字幕日本| 无码精品A∨在线观看中文| 人妻无码中文久久久久专区| 一本一道av中文字幕无码| 亚洲日韩中文字幕在线播放| 久久亚洲春色中文字幕久久久| 欧美 亚洲 日韩 中文2019| 中文字幕在线精品视频入口一区|