Global EditionASIA 中文雙語Fran?ais
    Culture
    Home / Culture / Music and Theater

    Fragrance is the sweet smell of success for rural women cadres

    By CHENG YUEZHU | CHINA DAILY | Updated: 2020-10-28 07:20
    Share
    Share - WeChat
    In the dance drama Fragrance, Li Xiaohui (in white) plays the role of Liu Tingting, a poverty alleviation cadre in a village of Lahu ethnic group in Yunnan province. CHINA DAILY

    A Chinese idiom states that good deeds leave a fragrance for generations to come. A recent play takes the lingering fragrance of good deeds as its central plot as it highlights the feats of women and the differences they make.

    Indeed, its name is Fragrance and it centers on the lives of the Lahu ethnic group from Yunnan province. They have lived a rudimentary existence of slash-and-burn farming for centuries. Female poverty alleviation cadres are now trying to improve their lives.

    The dance drama premiered at the Yunnan Grand Theatre in Kunming, Yunnan province, and has just finished a run of performances at the Shanghai International Dance Center.

    According to its director Zhang Shen, the title is a reference to the aroma of tea, which is a key part of the story, and it also applauds female power.

    Based on the true stories of the cadres who came to assist poverty alleviation efforts in Datou village in Lyuchun county, Yunnan province's Honghe Hani and Yi autonomous prefecture, the dance portrays the struggles endured by the character Liu Tingting.

    In the story, Liu, a resident cadre, faces challenges from her husband who blames her for not spending enough time with the family, and also from the locals who are unwilling to change their way of living. She then suffers amnesia after a car accident and struggles to recuperate and regain her memory.

    "A major feature of Fragrance is that it does not follow a linear narration, rather, its structure comprises two interweaving storylines: Liu Tingting trying to retrieve her lost memory, and her poverty alleviation experience in the village. The two storylines come together at the denouement," Zhang says.

    In the end, the locals agree to work with her in growing tea and selling the products on e-commerce platforms, which leads the village out of poverty.

    The story is an accurate representation of the history of Datou village and its 33 households, all of which were registered as impoverished. In 2017, the Lyuchun county government allocated a team of cadres to the village, ensuring that each household was given one-on-one long-term support.

    The village then began to establish basic infrastructure and develop modern agriculture, such as tea plantations and cultivating cloud ear fungus. According to the Yunnan provincial office of poverty alleviation and development, 31 counties, including Lyuchun county, were removed from the impoverished list by May.

    Created and performed by the song and dance ensemble of Honghe prefecture, it is the third dance drama the troupe has staged in five years on the theme of the Chinese Dream of national rejuvenation.

    "We framed Fragrance as a realistic dance drama on poverty alleviation. The story is based on the Lahu people in Yunnan province, so we have used some of their ethnic elements in our creation process. But essentially the story focuses on portraying the images of female poverty alleviation cadres," Zhang says.

    After the ensemble first proposed the idea in December 2019, the dance drama was listed as a key project in 2020 by both the Ministry of Culture and Tourism and the Yunnan provincial government. To faithfully capture the local ethnic characteristics and portray the lives of the resident cadres, the crew went on field trips to the area.

    "Some of the female resident cadres began crying when they started to talk about their experiences, either because they didn't get to see family members before they passed away, or because their husbands did not understand them," Zhang says. "Urban dwellers may not experience these things, but the cadres face them every day. Their lives are really hard."

    The crew collected recordings of the local Lahu language and incorporated the recordings into the music. Local dance styles are also integrated into the drama to embody the ethnic culture, while still retaining the overall modern aesthetic.

    Young dancer Li Xiaohui, in her 20s, plays the role of the protagonist. She says that she never experienced extreme poverty before doing research for the role and going on field trips to the area. "I could only feel shocked. The seemingly ordinary resident cadres are doing great work that can change the fate of a group of people and even a whole area," Li says.

    "The biggest reward in playing the character is a state of mind. I now hold more respect for living creatures, cherish everyday life more, and put in more effort into my vocation."

    Most Popular
    Top
    BACK TO THE TOP
    English
    Copyright 1995 - . All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co (CDIC). Without written authorization from CDIC, such content shall not be republished or used in any form. Note: Browsers with 1024*768 or higher resolution are suggested for this site.
    License for publishing multimedia online 0108263

    Registration Number: 130349
    FOLLOW US
    麻豆AV无码精品一区二区| 岛国无码av不卡一区二区| 免费无码黄网站在线看| 日韩精品久久无码中文字幕| 亚洲中文字幕成人在线| 日本阿v视频高清在线中文| 国产成人无码久久久精品一| 亚洲av无码专区在线播放| 日韩区欧美区中文字幕| 精品久久久久久无码中文字幕一区| 国产在线观看无码免费视频| 手机永久无码国产AV毛片| 国产台湾无码AV片在线观看| 日韩中文字幕在线| 最近中文字幕大全免费版在线| heyzo专区无码综合| 久久久久亚洲av无码专区喷水 | 中文字幕在线观看亚洲| 中文字幕乱码人妻一区二区三区 | 亚洲?V无码乱码国产精品 | 欧美日韩中文国产一区发布| 国产精品无码久久久久| h无码动漫在线观看| 潮喷无码正在播放| 精品人妻无码专区中文字幕| 18禁无遮拦无码国产在线播放| 色欲狠狠躁天天躁无码中文字幕| 亚洲精品中文字幕无码蜜桃| av无码人妻一区二区三区牛牛| 精品日韩亚洲AV无码一区二区三区| 无码人妻精品一区二区蜜桃网站| 人妻无码中文字幕免费视频蜜桃| 中文字幕亚洲无线码| 大桥久未无码吹潮在线观看| 日韩人妻无码一区二区三区| 中文字幕无码精品亚洲资源网久久| 蜜桃无码AV一区二区| 亚洲日韩国产二区无码| 玖玖资源站无码专区| 无码精品一区二区三区免费视频 | 中文字幕色AV一区二区三区 |