Nostalgia takes the lead in award-winning film
Director uses memory of bridge construction to indicate passing of time and changing world where some issues remain to be resolved, Chen Bowen reports in Haikou.
One theme, two forms
The screenplay of Absence was selected as the venture capital project of the 2019 Shanghai International Film Festival. The resulting film was shortlisted for the official short film category at the 74th Cannes International Film Festival, became a candidate at the 33rd Palm Springs ShortFest, and won the Best Short Film at the 22nd Milan International Film Festival.
Making itself known at international film festivals was an encouragement for investors and for Wu, but the director made it clear that the feature film is not just an extension of that original production.
The two films share the same lead actor and actress, and have a similar setting for the protagonists' romantic relationship, but they tell different stories. "In the feature film, the main characters' reunion is more related to their homeland and nature," the director explains.
The feature film is expected to hit Chinese cinemas this year. Wu says that, so far, Absence has received invitations from multiple film festivals, which the crew would like to attend.
When asked to provide tips for fellow directors of the post-1990 generation, Wu notes that every era has its own opportunities, and making films requires the determination to stay the course and the courage to surmount every difficulty.
"When you choose to make films, you really need to be aware that you may have to accept uneasiness, difficulties and even hardships," Wu says. "Complain less, and do more. Believe in yourself, and shoot what you believe in."
In the director's eyes, film itself is a world, and it can be a means to communicate with people from different countries and cultures.
"For the younger generations of movie directors, I suggest they view their creative issues from a global perspective," Wu says.
