Boom in live performances echoes loudly across country

    Fans' passion for concerts sees strong revenue growth in major centers, smaller cities

    By Yu Ran in Shanghai For China Daily | China Daily | Updated: 2025-02-07 11:33
    Share
    Share - WeChat
    During the 2023 Mid-Autumn Festival and National Day holiday period, the Chinese Music in the New Era Concert is held in Changzhou, featuring 16 classic and contemporary pieces across four chapters. [Photo provided to China Daily]

    Rapid growth

    The live performance industry has seen rapid growth in recent years. In the first three quarters of 2024, national per capita consumer expenditure grew by 5.3 percent year-on-year, according to the National Bureau of Statistics, while per capita spending in the education, culture, and entertainment sectors saw year-on-year growth of 10.1 percent.

    Chen Guanqiu, an analyst at Zhongyan Puhua Industry Research Institute, said, "attending large, impactful performances has become one of the most popular forms of cultural consumption."

    Innovation is at the heart of the concert planning process, said Zhang Zhe. His team carries out research on a city's characteristics and a local audience's preferences, and tailors concerts accordingly.

    Performers also have to work hard to attract new fans while solidifying their existing fan base. In 2024, Zhang Yuan participated in multiple music festivals across the country, sometimes performing at five to six events in one month.

    He also tries to have new songs to perform. Xing'ao Entertainment is preparing to release his second album, and plans to have him perform at more music festivals this year.

    "The live performance industry in China is booming, and the future is even more promising," said Zhang Zhe the manager. "As fans' demand for live experiences continues to grow, we are excited to be part of this expanding market, which offers endless opportunities for innovation and engagement."

    Niche markets have also appeared during the boom. Since 2021, Xie Jiayi, project manager at Chizhao Livehouse in Guangzhou, Guangdong province, has seen a shift in the makeup of audiences.

    "Live venues, once primarily associated with niche genres like rock, folk, and indie music, have now expanded to accommodate a wider variety of musical acts. The rise of mainstream idols, nostalgic performances, and subcultures like anime and underground idol groups have introduced new audiences to the live performance scene, diversifying the type of events we host," said Xie.

    This is reflected in both the diversity of musical genres and the audience demographics. While live venues were once dominated by younger crowds, primarily students and young professionals aged 18 to 28, audiences now span a wider age range, Xie said.

    "The appeal of nostalgic acts has drawn in older fans, particularly those in their 30s and 40s, while the growth of anime and cosplay culture has attracted younger viewers, aged 13 to 18," he said.

    As audiences become more diverse, live venues are adjusting their events. "Balancing niche genres with mainstream acts is always a challenge, as larger venues often focus on mainstream acts that can sell tickets quickly. But, we also make an effort to support younger, emerging artists," said Xie.

    The competition for talent, venues, and resources has intensified.

    "As the market grows resources are spread thinner, making it harder to secure top-tier artists and venues. We've seen the costs rise, and there are more players in the field," said Xie.

    Social media has played a crucial role in supporting this growth, with platforms like WeChat, Xiaohongshu, and Douyin being used to connect with audiences, promote events, and gather feedback.

    "We use these platforms to build and maintain fan communities, offering behind-the-scenes content, event previews, and interactive discussions, which help strengthen our relationship with fans and boost engagement," said Xie.

    Chizhao Livehouse plans to continue expanding its offerings, introducing more diverse events and collaborating with other industries.

    "The future of the live performance scene is about versatility and innovation, and we're excited to be part of that evolution," said Xie.

    Beijing and Shanghai are known as "performance capitals", while regional centers like Nanjing, Jiangsu province, and Wuhan, Hubei province, as well as some county-level cities are emerging as new hubs for performances. Strong government support plays a pivotal role in the prosperity of the market in smaller cities.

    |<< Previous 1 2 3 4 5 Next   >>|
    Top
    BACK TO THE TOP
    English
    Copyright 1995 - . All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co (CDIC). Without written authorization from CDIC, such content shall not be republished or used in any form. Note: Browsers with 1024*768 or higher resolution are suggested for this site.
    License for publishing multimedia online 0108263

    Registration Number: 130349
    FOLLOW US
    久久AV无码精品人妻糸列| 中文字幕精品亚洲无线码二区 | 亚洲中文字幕无码不卡电影| 精品久久久无码21p发布| 亚洲欧美日韩中文在线制服| 国产白丝无码免费视频| 国产网红主播无码精品| 中文字幕你懂得| 欧美 亚洲 日韩 中文2019| 蜜桃臀无码内射一区二区三区| 无码国产精品一区二区免费| 久久亚洲中文字幕精品有坂深雪| 国产精品无码专区在线观看| 无码人妻精品中文字幕| 中文无码喷潮在线播放| 中文字幕丰满伦子无码| 精品无人区无码乱码毛片国产| 午夜亚洲AV日韩AV无码大全| 免费无码又爽又刺激网站直播 | 最好看的中文字幕2019免费| 伊人久久大香线蕉无码麻豆| 国产综合无码一区二区三区| 精品国精品无码自拍自在线| 欧洲精品久久久av无码电影| 亚洲精品成人无码中文毛片不卡 | 亚洲精品无码久久一线| 日本无码小泬粉嫩精品图| 中文字幕精品久久| 中文字幕无码不卡免费视频| 线中文在线资源 官网| 日本高清不卡中文字幕免费| 久草中文在线观看| 在线看片福利无码网址| 精品高潮呻吟99av无码视频| 夜夜添无码试看一区二区三区| 国产麻豆天美果冻无码视频| 亚洲日韩精品一区二区三区无码| 亚洲福利中文字幕在线网址| 蜜桃无码一区二区三区| 亚洲AV无码精品色午夜果冻不卡 | 免费无码专区毛片高潮喷水|