US EUROPE AFRICA ASIA 中文
    Culture

    Meng challenges audiences with Brecht's play

    By Chen Jie ( China Daily ) Updated: 2014-10-27 07:45:57

    Meng challenges audiences with Brecht's play

    The Good Person of Szechuan, directed by Chinese avant-garde director Meng Jinghui, will run in China from Oct 29. [Photo/China Daily]

    A Chinese director pulls together a cast of Australian actors to perform a German play in English. It would attract theatergoers in any of their home countries, and soon audiences in Beijing and Shanghai will get their turn to see it.

    Meng challenges audiences with Brecht's play

    Theater of life 

    Meng challenges audiences with Brecht's play

    The Peony Pavilion to debut in Beijing 

    The Good Person of Szechuan by Bertolt Brecht, co-produced by Melbourne's Malthouse Theater and Chinese avant-garde director Meng Jinghui, premiered in Melbourne in July and will run at the National Theater of China from Oct 29 to Nov 1, as part of the Beijing International Theater Festival. It will be presented at the Shanghai International Arts Festival on Nov 4 and 5.

    Meng, 50, was invited to present his trademark work, Rhinoceros in Love, at the Melbourne International Arts Festival in 2011. Marion Potts, Malthouse Theater's artistic director, was impressed by it and initiated a co-production. Meng saw an exciting challenge in this play, as he had never done Brecht's work.

    The gods come down to Earth to find out if there is a good person in Szechuan (Sichuan). It turns out that only Shen Te, the kindhearted prostitute, offers them shelter. The gods give her a reward: a chance to open a small tobacco store. But it seems she cannot survive just by her goodness. She has to develop an alter ego - her pushy male cousin, Shui Ta - to run it efficiently. Then, of course, things get interesting.

    Set in the Sichuan of his imagination, Brecht (1898-1956) wrote the story in Finland in 1943 after fleeing Nazi Germany. As a Marxist playwright, Brecht wrote it as an indictment of both fascism and the capitalism he saw that rewarded self-interest and deceit while pure goodness cannot survive.

    "Politics, education and entertainment are all part of Brecht's complexity," Meng says, adding that he chose the play because its exploration of good and bad, virtue and vice, exploitation and poverty, is relevant even today.

    Previous Page 1 2 Next Page

     
    Editor's Picks
    Hot words

    Most Popular
     
    ...
    亚洲中文字幕伊人久久无码| 国产a v无码专区亚洲av| heyzo高无码国产精品| 免费中文字幕视频| 亚洲成av人片在线观看天堂无码| AV无码久久久久不卡蜜桃| 中文字幕无码第1页| 国产成人精品无码一区二区| 亚洲精品欧美二区三区中文字幕| 爽到高潮无码视频在线观看| 亚洲中文字幕无码永久在线| 最近完整中文字幕2019电影| 亚洲熟妇无码八V在线播放| 国产成人精品无码片区在线观看 | heyzo专区无码综合| 亚洲AV永久无码精品一百度影院 | 玖玖资源站中文字幕在线| 中文字幕丰满伦子无码| 成人午夜福利免费专区无码| 亚洲av无码精品网站| 无码人妻精品一区二区三区蜜桃| 中文字幕aⅴ人妻一区二区 | 国产成人AV片无码免费| 亚洲中文字幕无码中文字在线| 日韩三级中文字幕| 欧美一级一区二区中文字幕 | 欧美巨大xxxx做受中文字幕| 国产亚洲情侣一区二区无码AV | 三上悠亚ssⅰn939无码播放| 最近高清中文在线国语字幕5| 色欲狠狠躁天天躁无码中文字幕| 亚洲人成影院在线无码观看 | 亚洲日韩精品无码专区网站| 无码精品蜜桃一区二区三区WW| 蜜桃臀无码内射一区二区三区| 亚洲A∨无码无在线观看| 亚洲中文久久精品无码ww16| 中文字幕无码人妻AAA片| 亚洲精品无码久久千人斩| 亚洲av永久无码精品网站 | 日韩三级中文字幕|