Make me your Homepage
    left corner left corner
    China Daily Website

    Jazz's slim stepchild returns

    Updated: 2013-05-13 10:34
    (The New York Times)

    Jazz's slim stepchild returns

    Benny Goodman, left, the clarinetist and band leader, performing in New York in 1938. Anat Cohen, top right, sees herself as a clarinetist first. Don Byron, a jazz reed player who focuses on the clarinet.

    In search of some live Brazilian music in New York a few months ago, I found my way to Dizzy's Club Coca-Cola, where the Brazilian percussionist Duduka Da Fonseca was leading a quintet that included Anat Cohen, a 38-year-old Israeli woman who lives in the city.

    Around the fifth song, Ms. Cohen did something you rarely see a jazz reed player do these days. She took out her clarinet.

    Like many jazz fans, I have rarely heard anyone play live jazz clarinet. A dominant instrument in jazz's early years, the clarinet faded into obscurity as the saxophone became the reed instrument of choice.

    When you think of jazz clarinetists, only a handful of names spring to mind, including Benny Goodman and Artie Shaw, whose heyday was the 1930s.

    But Ms. Cohen on the clarinet was a revelation. Using the clarinet's upper register, she could evoke infectious joy. In the lower register, her playing could conjure a deep, soulful melancholy. On up-tempo numbers, her improvisations had clarity and deep intelligence.

    Jazz's slim stepchild returns

    "When I play the clarinet, I am 100 percent myself," she later told me. "It is as if it is part of my body. I can play whatever I think. "

    She said she took up the clarinet because the music conservatory she attended in Israel needed clarinet players. But as her tastes broadened, Ms. Cohen then fell under the sway of John Coltrane, the great 1960s tenor saxophonist. In high school, though, a teacher told her that her clarinet really didn't fit with the modern jazz she liked. "I kind of put a cap on my clarinet without really thinking about it," she recalled.

    She became a committed tenor saxophonist instead.

    But at Berklee College of Music in Boston, where she enrolled in 1996, she occasionally picked up the clarinet and remembers one of her professors telling her that she "really had a sound on the clarinet."

    Previous Page 1 2 Next Page

     
     
    ...
    ...
    最近中文字幕2019视频1| 区三区激情福利综合中文字幕在线一区 | 在线中文字幕一区| 精品人妻大屁股白浆无码| 日韩乱码人妻无码中文字幕视频 | 无码精品第一页| 无码日韩精品一区二区免费暖暖| 久久超乳爆乳中文字幕| 人妻无码中文久久久久专区| 中文字幕性| 国产中文字幕视频| 亚洲精品国产日韩无码AV永久免费网 | 国产成人AV无码精品| 亚洲AV无码国产精品麻豆天美| 日本中文字幕电影| 中文字幕精品无码一区二区| 国产AV无码专区亚洲Av| 亚洲AV区无码字幕中文色| 一区 二区 三区 中文字幕| 日韩人妻无码中文字幕视频| 亚洲av无码国产精品色在线看不卡| 免费A级毛片无码A∨| 亚洲成AV人片在线播放无码| 精品人妻系列无码一区二区三区| 精品久久久久中文字幕日本| 中文字幕aⅴ人妻一区二区 | 人妻少妇精品中文字幕AV| 亚洲精品无码久久久| 日韩视频无码日韩视频又2021| 久久精品无码一区二区三区| 久久久无码精品亚洲日韩按摩| 高清无码v视频日本www| 中文无码精品一区二区三区| 一本精品中文字幕在线| 亚洲国产综合精品中文字幕| 久久亚洲中文字幕精品一区| 91中文在线观看| 人妻AV中出无码内射| 中文无码久久精品| 无码久久精品国产亚洲Av影片| 久久无码人妻一区二区三区 |