影片對(duì)白  Now you see, Jack, that's exactly the attitude that lost you the Pearl. People are easy to search when they're dead.

考考你  現(xiàn)學(xué)現(xiàn)賣

3. Make a stand

"Hold firm against something or someone 堅(jiān)決反對(duì)/抵抗……，對(duì)……采取強(qiáng)硬立場(chǎng)"的意思，例如 The government was determined to make a stand against all forms of terrorism.

4. With a will

意為"Vigorously, energetically"，例如：He started working with a will.

文化面面觀

Pirate flags 海盜的旗幟

John Rackham ('Calico Jack')

In popular legend, every pirate flag displayed a skull above crossed bones or crossed swords. In fact there was ample variation, since every crew wanted a unique flag. The first reference to a modified basic 'Jolly Roger' was in 1700, when the French privateer Emmanuelle Wynne flew a black flag embellished with a skull, crossed bones and an hourglass (Henry Every flew a basic skull and crossed bones, though with the skull turned to the side, as early as 1696, on both a red and black flag). It was presumably also used before the turn of the century, although there is no surviving evidence. It may also have indicated that the flyer no longer considered himself to be a privateer, and was a full-blown pirate. What is known is that following 1700, additional emblems on the basic red or black flag were increasingly associated with piracy, and different symbols were in turn associated with individual pirate captains.

Of these, the most common symbol was the skull, the symbol of death. It was also frequently depicted in association with crossed bones, another death symbol (although only Edward England flew the "skull and crossed bones" in it's pure form. Christopher Condent's banner repeated the same symbol 3 times.) Both signs were commonly 'momento mori' on 16th and 17th century gravestones all over the British Isles. Other symbols were complete skeletons, spears, swords, hourglasses, initials, hearts, crossed swords, wings and raised glasses. In an era where symbolism in art and everyday life was commonplace, each had a distinct and immediately recognizable meaning. Apart from the death association with bones, skeletons and skulls, dancing skeletons meant dancing a jig with death, a fatalistic reference the flyer didn't care about his fate. This was also the origin of the raised glass symbol ('toasting death'). Weapons were a portent of slaughter to come, while hourglasses and wings indicated that time was running out (or flying away). All these symbols can be found in contemporary allegorical paintings of death, or on gravestones.

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