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    Opinion / Raymond Zhou

    Fake vs Frank opinion

    By Raymond Zhou (China Daily) Updated: 2014-03-29 07:35

    As his status as the top film comedian of our age solidified, he became more and more vocal. In 2004, he led a relief charity drive for the survivors of the Indian Ocean

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    tsunami. In recent years, he has repeatedly assailed the country's film censorship system. After the release of his latest comedy, Personal Tailor, he threw down the gauntlet to the nation's film critics, whom he charged with deliberately misguiding the public.

    All these are shortcuts to upsetting different strata of society. Even the charity effort effectively set him against the glitterati he managed to organize because each of them deemed it a snub when they did not get the publicity they sought. I won't go into details about the ruckus with the critics because it involved me as well.

    Most members of the public tend to view such acts in light of the specific viewpoints being proffered. If they agreed with Feng in his scuffle with the critics, they would say he's a man of integrity and courage, daring to stand up to bullies whom thought they controlled public opinion; if not, the argument would be that he is not gracious towards criticism, which is a blemish for a person of his prominence.

    However, if we take a step back and scrutinize celebrity behavior, we must determine whether our society benefits from the beau monde that is decorum-abiding and politically correct or one that dares to speak its mind even when it goes against the tide. In other words, are they unelected flag carriers of our tastes and preferences, or are they individuals entitled to their own opinions, some of which have nothing to do with their profession?

    Coincidentally, Feng was once on the receiving end of a similar volley from a colleague. Actor Sun Haiying time and again lambasted his work for being crass. Sun, who rose to fame after starring in a television drama series about veteran revolutionaries titled Days of Burning Fervor, obviously represented the old establishment in his aesthetics and he attacked low-brow entertainment, official corruption and homosexuality with equal gusto.

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