Minimal set, maximum impact
Chinese stage adaptation of French novel invites actors to innovate, and audiences to explore unspoken depths, Chen Nan reports.
"Over time, actors develop certain techniques and habits that become ingrained. But I wanted to break free from those patterns. This script is different from other plays our theater has staged, such as those about historical figures or Beijing. I tried to step into unfamiliar territory during rehearsals, and allowed myself to react more instinctively in each moment," he continues. "Acting is an evolving craft, and no matter how experienced one is, there is always room for discovery and growth."
He adds that he particularly likes Xu's idea of using minimalist sets to convey the emotional isolation of the character, and evoke a sense of solitude and intellectual reflection.
Yan, 42, plays the role of Larsen, a realistic character compared to Znorko, who is the romantic hero. Although Yan doesn't work regularly with the Beijing People's Art Theatre, his acting, and especially his "emotional intensity" as Feng puts it, convinced Xu to cast him in the role.
With more than 40 productions under his belt, Yan is also seeking to break out of his comfort zone.
"For many actors, the opportunity to perform in a production by the Beijing People's Art Theatre is like a dream come true. Working with Xu and Feng, I am gaining a fresh perspective on acting. They stimulate new ideas and encourage me to take risks, opening up space for new techniques," says Yan.
