【北京】

地點(diǎn)：北京 中國(guó)國(guó)家電影博物館

時(shí)間：

第一場(chǎng)：2012年10月16日18：30—20：20

第二場(chǎng)：2012年10月18日13：00—16：30 （電影100分鐘，之后為一個(gè)半小時(shí)與電影導(dǎo)演及主創(chuàng)人員互動(dòng)交流的觀后研討會(huì)(現(xiàn)場(chǎng)有翻譯）

報(bào)名鏈接：

第一場(chǎng)：http://www.douban.com/event/17431700/

第二場(chǎng)：http://www.douban.com/event/17431878/

活動(dòng)簡(jiǎn)介

UK NOW“藝述英國(guó)”應(yīng)歐洲戲劇愛好者的熱望，特邀盛名之下的蘇格蘭戲劇工作室獻(xiàn)演他們的轟動(dòng)曲目《幸福家園》。這不僅僅意味著多一部歐陸大戲進(jìn)入中國(guó)觀眾的視野，被中國(guó)觀眾理解，更體現(xiàn)了文藝形態(tài)多樣性正在中國(guó)迎來全新蓬勃生機(jī)。立即在藝述英國(guó)的推介下，熱享蘇格蘭熱力演出，沿著錯(cuò)綜矛盾隨情緒跌宕起伏，經(jīng)歷一番滄海桑田。

戲劇《幸福家園》的場(chǎng)景設(shè)置在蘇格蘭的小山村卡希爾，位于法夫煤礦的心臟地帶。講述了一群守法公民揭竿而起，挺身對(duì)抗統(tǒng)治者的心路歷程。三個(gè)家庭的親切群像和他們的斗爭(zhēng)史，反映了在非人的經(jīng)濟(jì)政策下的人性抗?fàn)帯∏槊枋隽斯蛡蛉宕蟛糠謩诹Φ拿旱V公司與政府狼狽為奸，企圖壓制所謂的反抗“紅潮”。然而，村民們?yōu)榱俗陨頇?quán)益挺身而出，最終他們的斗爭(zhēng)激起了全國(guó)上下的聲援。結(jié)尾時(shí)盡管罷工失敗了，但在壓迫中鑄就了益發(fā)堅(jiān)定的信念，讓政治覺醒的種子在每一個(gè)人的心目中悄然種下。

本劇的構(gòu)建設(shè)置在真實(shí)的歷史背景之上，并取材于1926年的大罷工。當(dāng)時(shí)，第一次世界大戰(zhàn)的硝煙散去不過7年時(shí)間，礦工工會(huì)領(lǐng)導(dǎo)了席卷全國(guó)的抗議活動(dòng)，反對(duì)自由黨和保守黨聯(lián)合政府實(shí)施的嚴(yán)苛的薪資裁減案，所以鑄就了英國(guó)勞工權(quán)利斗爭(zhēng)史上一支由蘇格蘭礦工團(tuán)體寫下的宏壯曲目。為了突顯工人們“工資不少一分錢，工時(shí)不多一分鐘”的激情主旋律，蘇格蘭戲劇工作室更與蘇格蘭法夫的煤礦工人團(tuán)體合作策劃來出品這部作品。

不妨跟隨藝述英國(guó)一起走進(jìn)段愛恨交織的情仇史，您將會(huì)對(duì)于政治體裁的歐式戲劇擁有更多認(rèn)識(shí)、獲得更多欣賞。

導(dǎo)演簡(jiǎn)介

羅伯特?雷（Robert Rae）于1996年成為蘇格蘭戲劇工作室（TWS）的藝術(shù)總監(jiān)，自那時(shí)起他開始導(dǎo)演、監(jiān)制并創(chuàng)作了多部由專業(yè)演員表演的作品和大型非專業(yè)演員演出的劇作。2008年，他導(dǎo)演了自己的第一部電影《沉睡中的麻煩》。在他的創(chuàng)作中，他擅長(zhǎng)于對(duì)人的描摹作為故事創(chuàng)作的核心來演繹，許多作品更是反映了多元的蘇格蘭社會(huì)現(xiàn)實(shí)。他常常與社會(huì)邊緣組織一起合作，在TWS工作期間積極推動(dòng)過殘疾人演員的招募，與他們簽訂了100多份專業(yè)合同。

《幸福家園》官方網(wǎng)站：www.thehappylands.com

The Happy Lands

Beijing

When: 16 to 18 October 2012

Venue: China National Film Museum

Art form: Film

Introduction

It’s the General Strike 1926: just seven years after the horrors of the First World War, trenches and miners’ unions are leading countrywide protests against harsh austerity cuts imposed by a Liberal-Conservative government.

Set in the village of Carhill, Scotland, in the heart of the Fife coalfields, The Happy Lands follows the journey of law-abiding citizens who become law-breakers in a battle against the state. This intimate portrayal of three families’ struggle depicts the human consequences of impersonal economics. The coal company that employs most of the village is colluding with government forces to keep the ‘red threat’ under control. As the villagers stand up for their rights, their struggle inspires and galvanises national support. Faith forged

About the Director

Since becoming Artistic Director of Theatre Workshop Scotland (TWS) in 1996 Robert Rae has directed, devised and/or written numerous professional shows and large-scale productions with non-actors, and in 2008 directed his first feature film, Trouble Sleeping. His preferred way of working places the people whose story he is telling at the heart of the creative process. His work reflects the diversity of Scotland, and he regularly collaborates with organisations that represent the excluded. During his time at TWS he has championed the employment of disabled actors, issuing them with more than 100 professional contracts.

Released Summer 2012

Director Robert Rae

Producer Helen Trew

Written by Robert Rae and Peter Cox with members of the Fife Mining Community (including Steve Allan, Lillian King and Ross Wilson)

Tues 16 October

6.30 - 8.20 Film Hall 4

Private film screening

18 October

1 - 2.40pm Film Hall 4

Private film screening

This event is registration-only and a limited quantity of tickets is available. If you are interested in attending a screening please visit our Douban page to register.

http://site.douban.com/britishcouncil/

Admission: free

The Happy Lands' website: www.thehappylands.com

China National Film Museum's website: www.cnfm.org.cn

（中國(guó)日?qǐng)?bào)網(wǎng)英語點(diǎn)津 Helen 編輯）